Elizaveta Pugacheva

Biography

Elizaveta Pugacheva (b. 1995) is an interdisciplinary artist based in Dubai whose practice spans painting, graphic art, and textile-based works. Rooted in personal experience, her work explores themes of migration, cultural identity, and collective memory, examining the ways in which displacement and digital culture reshape contemporary notions of belonging.

 

Drawing from the visual language of computer graphics and internet culture, Pugacheva incorporates elements such as memes and digital aesthetics as forms of contemporary folklore, reflecting on how online imagery has become embedded within collective consciousness. Her practice critically engages with the phenomenon of digital labour and the increasingly blurred boundaries between virtual and physical realities, questioning the ways in which technology influences perception, identity, and social interaction.

 

Through a deeply autobiographical lens, Pugacheva investigates the processes of identity transformation and cultural hybridisation. Her works navigate the complexities of living between cultures, exploring the negotiation of memory, heritage, and adaptation while raising broader questions about the construction of self within an increasingly globalised world.

 

Working across painting, graphics, and textile panels, Pugacheva creates layered compositions that build subtle visual dialogues between past and present, tradition and modernity. Rich in symbolism and material experimentation, her works weave together personal narrative and collective experience, inviting viewers to reflect on the evolving relationship between history, migration, and contemporary culture.

 

Educated in architecture, printing technologies, and ecology in Russia, Pugacheva brings an interdisciplinary sensibility to her artistic practice, where diverse fields of knowledge converge through material exploration and conceptual inquiry. By combining analogue techniques with references to digital culture, she has developed a distinctive visual language that positions her work at the intersection of memory, technology, and identity. 

Exhibitions